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<\/p>\nVR technology was used for the first time in the BH theater. The play Ste\u0107akLand, which we did in co-production with Kamerni teatar 55, was a great success. In the invitation to the show, they say:<\/p>\n
“”Do you know your story? That, when someone asks about you – what will they say? What stories are left behind? Does the truth remain, or the good wishes of the tearful relatives? When all the veils fall away, all the colorful lies with which we deceive ourselves and everyone around us, building an image of ourselves as we think it should look, and when we completely strip ourselves of all romanticized versions of ourselves, who is the person looking at us in the mirror? STE\u0106AKLAND invites you to step into a space where titles, awards, achievements and memories crumble before the chains of truth. And the truth… it always has multiple versions, even though it’s only one. They have been standing for centuries, and now they will speak – find out what the ste\u0107ci have to tell us. Welcome to STE\u0106AKLAND, a bold and innovative theatre performance that combines contemporary theatre with virtual reality, taking us to the very limits of identity, memory and myth. Who was Katarina Kosa\u010da, for many the last Bosnian queen? Do we know? Does she know? What is her truth\u201d, said Vedran Fajkovi\u0107, playwright and acting director of Kamerni Teatar 55.<\/p>\n
<\/p>\n
The full cast and crew of StecakLand Theater play:<\/p>\n
Director: Kenan Kulenovi\u0107<\/p>\n
\ud83d\udcdd Dramaturg: Vedran Fajkovi\u0107<\/p>\n
\ud83c\udfad Cast:<\/p>\n
Selma Alispahi\u0107, Actress, Queen Katarina<\/p>\n
Aldin Omerovi\u0107, Bojan the VR developer, Stonemason<\/p>\n
Elma Jukovi\u0107, Woman, Kolo<\/p>\n
Nedim D\u017einovi\u0107, Young king Stjepan, Lion<\/p>\n
Enes Kozli\u010di\u0107, Ahmat Radiljic, soldier, Hunter<\/p>\n
Anja Kraljevi\u0107, Young queen Katarina, Deer<\/p>\n
\ud83c\udfa8 Author team:<\/p>\n
Text: Vedran Fajkovi\u0107<\/p>\n
Scenography and costume design: Adisa Vatre\u0161 Selimovi\u0107<\/p>\n
Sound design: Muhamed Bajramovi\u0107<\/p>\n
Scenic movement: Irma Alimanovi\u0107<\/p>\n
Graphic design and visual projections: Luka Ramljak<\/p>\n
Costume and set design assistant: Monika Mo\u010devi\u0107<\/p>\n
Animation: Alan Savi\u0107<\/p>\n
Editing: Almir Zoleti\u0107<\/p>\n
VR photogrammetry: Bojan Mijatovi\u0107, Domagoj Perki\u0107, Goran Paji\u0107, Uglje\u0161a Vojvodi\u0107, Global Digital Heritage<\/p>\n
3D modeling and VR animation: Mirsad Festa, Aida Sad\u017eak<\/p>\n
VR graphic design: Emir Durmi\u0161evi\u0107, Aida Sad\u017eak<\/p>\n
VR environment development: Aya Ali Al Zayat, Edo \u0160kaljo<\/p>\n
VR environment direction: Bojan Mijatovi\u0107<\/p>\n
Photographer: Velija Hasanbegovi\u0107, Selma Rizvi\u0107<\/p>\n
Music: the tune “Maslid\u017eane ko ti bere branche”, from the Neum area, and according to the recording by Cvjetko Rihtman, performed by the Etnoakademik ensemble of the Music Academy Sarajevo students.<\/p>\n
\ud83c\udfac Production and realization:<\/p>\n
Producer and project coordinator: Selma Rizvi\u0107<\/p>\n
Executive producer: Adna Rizvan<\/p>\n
Stage director: Bojana Jagli\u010di\u0107<\/p>\n
\ud83d\udd27Technical team:<\/p>\n
Technical director: Mirsad Imamovi\u0107<\/p>\n
Lighting masters: Elvedin Bajraktarevi\u0107, Nino Brutus, Anel Brutus<\/p>\n
Sound masters: Edin Hajdarevi\u0107, Edina Hajdarevi\u0107<\/p>\n
Stage master: Milan Novi\u0107<\/p>\n
Decorators: Semir Muhovi\u0107, Anel D\u017eanko, Hajrudin Me\u0161i\u0107<\/p>\n
Video operator: Dino Brutus<\/p>\n
Make-up: Jasmina Had\u017ei\u0107 – Ajanovi\u0107, Hana Zeba<\/p>\n
Wardrobe: Semra \u0110idelija, Edita Be\u0161i\u0107<\/p>\n
Props: Mirela Guti\u0107, Elma Milak<\/p>\n
Master carpenter: Ramo Pamuk<\/p>\n
#stecakland #CreativeEurope<\/p>\n","protected":false},"excerpt":{"rendered":"
VR technology was used for the first time in the BH theater. The play Ste\u0107akLand, which we did in co-production with Kamerni […]<\/p>\n","protected":false},"author":2,"featured_media":1071,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1062","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorised"],"_links":{"self":[{"href":"https:\/\/digi.ba\/eng\/index.php?rest_route=\/wp\/v2\/posts\/1062","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/digi.ba\/eng\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/digi.ba\/eng\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/digi.ba\/eng\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/digi.ba\/eng\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1062"}],"version-history":[{"count":2,"href":"https:\/\/digi.ba\/eng\/index.php?rest_route=\/wp\/v2\/posts\/1062\/revisions"}],"predecessor-version":[{"id":1073,"href":"https:\/\/digi.ba\/eng\/index.php?rest_route=\/wp\/v2\/posts\/1062\/revisions\/1073"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/digi.ba\/eng\/index.php?rest_route=\/wp\/v2\/media\/1071"}],"wp:attachment":[{"href":"https:\/\/digi.ba\/eng\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1062"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/digi.ba\/eng\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1062"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/digi.ba\/eng\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1062"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}